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Handholding: 5 Kinds, by Tracie Morris
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Poetry. African & African American Studies. Performance Studies. Hybrid Genre. Music. Foreword by Charles Bernstein. Includes digital download code for audio. HANDHOLDING: 5 KINDS is a collection of experimental poetry as a creative response to 5 artistic works by innovative American, African diaspora and European-based artists' work: Kurt Schwitters' Ursonate (recited by his son, Ernst), Gertrude Stein's Tender Buttons, John Akomfrah's 7 Songs for Malcolm X, John Cage's 4'33 and Stanley Kubrick's Eyes Wide Shut. Each of these pieces strongly contextualizes Morris' own work and practice, dealing with the undertones and overtones of race, sexuality, class, gender, ethnicity, power and art-making. Each section is introduced as a reflection of what each piece means to the author and how they came about. The collection contains experimental text as well as 6 audio files (17 digital tracks). One is a "real time" response to the Kubrick film, the other is a collection of sound pieces inspired by the other artists, often recitations of the page-based texts. This is the first text and sound collection of Tracie Morris' that is comprised of exclusively experimental work inspired by other innovative artists.
- Sales Rank: #1514995 in Books
- Published on: 2016-04-01
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 7.00" w x .50" l, .0 pounds
- Binding: Paperback
- 128 pages
About the Author
Tracie Morris is a poet, singer, critic, scholar, bandleader and actor. She holds an MFA in Poetry from Hunter College, has studied classical British acting technique at the Royal Academy of Dramatic Art in London, American acting technique at Michael Howard Studios, is an alum of Cave Canem's prestigious summer residency as well as residencies at MacDowell, Millay and Yaddo. She holds a PhD in Performance Studies from New York University. Her work has been presented at the Whitney Biennial, Ron Feldman Gallery, The New Museum, Philadelphia Museum of Art, Museum of Modern Art and Dia: Chelsea and dozens of musical recording projects. Her books include Intermission, RHYME SCHEME (Zasterle Press, 2012) and HANDHOLDING: 5 KINDS (Kore Press, 2016) and is co-editor of Best American Experimental Writing (2016) with Charles Bernstein. Tracie is Professor and Coordinator of the MFA program in Performance + Performance Studies at Pratt Institute, Brooklyn, New York.
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