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Rejecting the view that interprets Emily Dickinson exclusively as a proto-modernist poet, Joanne Dobson finds Dickinson rooted in the expressive assumptions of her contemporary women writers. By looking at Dickinson in the context of these writers, Dobson uncovers the effects of common grounding in a cultural ethos of femininity that mandated personal reticence. Combining literary history and contemporary feminist literary theory, this study posits a complex interaction of personal preferences and editorial policies that resulted in a community of expression with impact on women's writing and literary careers.
- Sales Rank: #1971603 in Books
- Published on: 1989-09-22
- Released on: 1989-09-22
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .56" w x 6.00" l, .89 pounds
- Binding: Hardcover
- 180 pages
From Library Journal
Studying Dickinson's poetry and life in the context of successful, popular 19th-century American women writers, Dobson importantly corrects notions that the poet's determination to write and personal reticence were anomalous in her time. Dobson claims that although Dickinson's personal and stylistic responses to cultural injunctions against women's public revelations of the self are extreme, both her critiques and her indirection fit the patterns of other women's writing. In arguing that Dickinson adheres conservatively to norms for women's lives and in championing other writers' departures from those norms, Dobson at times almost condemns Dickinson for not being more like her radical peers. Nonetheless, this is an excellent study. Highly recommended.
- Cristanne Miller, Pomona Coll., Claremont, Cal.
Copyright 1989 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Deserves attention by fans of Emily Dickinson, much material here
By Kcorn
Even if you think you've read much of what is out there which foucses on Emily Dickinson, this book may provide new perspectives on her place in history and it will also give insight into the lives of Women Writers. The detailed appendix focusing on Dickinson and Pulication, notes, works cited and an index of poesm are all helpful.
But the gist of this book is in its contention that Dicksinson was NOT exclusively a post-modernist poet. She combines literary history, contemporary feminisit literary theory and more to make her points. Intriguing!
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